Scott Hesse
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Using the Minor 3rd Chord Cycle

9/21/2013

8 Comments

 
by Scott Hesse
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The last few Guitar Notes have dealt with the subject of chord cycles. This study of cycles has always fascinated me because there are so many different ways harmonically to get from one point to another. 

The crux of most music is made by a tonic chord moving to its tension chord (usually a dominant chord), and back again. Even when harmony is static, oftentimes the melodic portion of music will imply the same I-V-I relationship within the line. With melody in mind, I've used another chord cycle below to show how I might approach this tension/resolution (V-I) idea linearly. 

The Minor 3rd Chord Cycle is one of my favorites because of its beautiful and unexpected harmonic twists and turns. In practicing this progression, I would first repeat just the chords over and over. Try to place them in as many positions on the guitar as possible. Finding the chords all over the neck gives me different positions where I know I can find all the chord tones. It expands my reach both visually and aurally. 

The melodic line is fairly simple. I didn't really deviate from the actual harmonies much more than adding a little chromaticism here and there. You can also see that I keep the majority of the line on the D and G strings. The positional moves on the fret board go with how the chords are moving. It's all about the connection between melody and harmony.


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Another way to use this progression both melodically and harmonically is to substitute, or superimpose, this progression over another. For instance, if you were playing on a more standard chord progression like |Cmaj7 | A7  | Dm7 | G7  |, the Minor 3rd cycle works. Use the progression above in place of the standard harmonies. This superimposition of harmonies is done frequently by improvisers. It's a good way to get this tension/resolution into your playing in an organized way.

Experiment with this idea as much as possible. It will open your playing in many ways while allowing you to evolve your harmonic/melodic approach.

Feel free to post any questions or comments below.

Happy practicing!!

8 Comments
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7/1/2016 06:44:19 pm

Thank Scott, you're a great player, this is an interesting concept. I don't see this minor third thing on your first example tho, it's just IIm7 then subV7/V (with it's relative IIm7) resolving by halfstep to V7 to Imaj7.

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    Guitar Notes

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